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Lacuna, 2024
unfired ceramic
dimensions variable (size of room)
An accumulation, or perhaps the accumulated trace, of something once here. Inaugurated by the filling of all corners and cracks in the room, this gesture, once static as an object in space, reverses in motion as if caught in a moment of seeping away. It is omnipresent in the visual field but never the object of the gaze, its scale beyond a gallery-goer’s habitual mode of looking. It exists only in stolen glances, when viewers vaguely register its presence—or perhaps only the absence of edges demarcating wall from floor: caught by accident, not long enough to decipher, or caught and confused. These affective intensities unsettle the disciplinary field of looking and being looked at in the gallery—returning the viewer to embodied presence, if only momentarily.